An excellent example of an HTML web component from Eric:
Extend HTML to do things automatically!
He layers on the functionality and styling, considering potential gotchas at every stage. This is resilient web design in action.
People spent a lot of time and energy in 2024 talking about (and on) other people’s websites. Twitter. Bluesky. Mastodon. Even LinkedIn.
I observed it all with the dispassionate perspective of Dr. Manhattan on Mars. While I’m happy to see more people abondoning the cesspool that is Twitter, I’m not all that invested in either Mastodon or Bluesky. Or any other website, for that matter. I’m glad they’re there, but if they disappeared tomorrow, I’d carry on posting here on my own site.
I posted to my website over 850 times in 2024.
I shared over 350 links.
I posted over 400 notes.
I published just one article.
And I wrote almost 100 blog posts here in my journal this year.
Here are some cherry-picked highlights:
Last year I described how I syndicate my posts to different social networks.
Back then my approach to syndicating to Bluesky was to piggy-back off my micro.blog account (which is really just the RSS feed of my notes):
Micro.blog can also cross-post to other services. One of those services is Bluesky. I gave permission to micro.blog to syndicate to Bluesky so now my notes show up there too.
It worked well enough, but it wasn’t real-time and I didn’t have much control over the formatting. As Bluesky is having quite a moment right now, I decided to upgrade my syndication strategy and use the Bluesky API.
Here’s how it works…
First you need to generate an app password. You’ll need this so that you can generate a token. You need the token so you can generate …just kidding; the chain of generated gobbledegook stops there.
Here’s the PHP I’m using to generate a token. You’ll need your Bluesky handle and the app password you generated.
Now that I’ve got a token, I can send a post. Here’s the PHP I’m using.
There’s something extra code in there to spot URLs and turn them into links. Bluesky has a very weird way of doing this.
It didn’t take too long to get posting working. After some more tinkering I got images working too. Now I can post straight from my website to my Bluesky profile. The Bluesky API returns an ID for the post that I’ve created there so I can link to it from the canonical post here on my website.
I’ve updated my posting interface to add a toggle for Bluesky right alongside the toggle for Mastodon. There used to be a toggle for Twitter. That’s long gone.
Now when I post a note to my website, I can choose if I want to send a copy to Mastodon or Bluesky or both.
One day Bluesky will go away. It won’t matter much to me. My website will still be here.
Alright, so last week I gave you the low-down on each day of this year’s UX London:
But the line-up for each day wasn’t quite complete. There was a mystery slot at the end of each day for a closing keynote.
Well, I’m very happy to unveil the trio of fantastic speakers who will be closing out each day…
Rama Gheerawo is the closing speaker on day one. Rama will show you how to frame inclusive design in the context of UX.
I’ve been trying to get Rama for UX London for the past few years but the timings never worked out. I’m absolutely delighted that I’ve finally managed to nab him! His talk is guaranteed to be the perfect inspirational ending for day one.
Matt Webb is giving the closing keynote on day two. Matt will show what it’s like to live and work with AI. You know my scepticism on this topic but even I have to hand it to Matt; he’s finding ways to use these tools to create true delight.
Honestly it feels like a bit of a cheat getting Matt to wrap up the day—his talks are always incredibly entertaining so I feel like I’m taking the easy route. If you’ve seen his appearances at dConstruct you’ll know what I mean.
Maggie Appleton is the final speaker on the final day of UX London. Maggie will show you how to explore designing with large language models. Again, even a sceptic like me has a lot to learn from Maggie’s level-headed humanistic approach to AI.
I’m so happy to have Maggie speaking at UX London. Not only am I a huge fan of her website, but I also love her presentation style. She’s going to entertain and educate in equal measure, and she’s certain to leave us with some fascinating questions to ponder.
With that, the line-up for UX London 2024 is complete …and what a stellar line-up it is!
Grab your ticket if you haven’t already, either for the full full three days or if you can’t manage that, day tickets are available too.
Use this discount code to 20% of the ticket price: JOINJEREMY. I’d love to see you there!
It’s been another busy week of evening activities that ended up covering a range of musical styles.
On Monday night I went to the session at The Fiddler’s Elbow. It’s on every fortnight. The musicians are always great but the crowd can be more variable. Sometimes it’s too rowdy for comfort. But this week was perfect, probably because not many people are going out in late (dry) January.
The session, led by fiddler Ben Paley was exceptionally enjoyable. Nice and laid back, with a good groove.
On Tuesday night I stayed in and watched a film. Killers Of The Flower Moon. Two thumbs up from me.
On Wednesday evening it was the regular session at The Jolly Brewer. Jolly good it was too.
On Thursday night I was back in The Jolly Brewer. My friend Rob roped me into doing a Burns Night thing. “It’s not a session, but it’s not a gig” was how he described it. I wasn’t sure what to expect.
We had been brushing up on our Scottish tunes, but we were mostly faking it. In the end it didn’t matter. I don’t think there was a single Scottish person there. But there was a good crowd enjoying their tatties and neeps with suitably-addressed haggis while we played our tunes in the background.
Some more musicians showed up: a fiddler and two banjo players. “Isn’t there old-time music here tonight?” they asked. We told them that no, it was Burns Night, but why not play some old-time tunes anyway?
So I passed the night jamming along to lots of tunes I didn’t know. I hope I wasn’t too offputting for them. It was good fun.
Finally on Friday evening it was my turn to leave my mandolin at home and listen to some music instead. The brilliant DakhaBrakha were playing out at Sussex Uni in the Attenborough Centre.
Imagine if Tom Waits and Cocteau Twins came from Eastern Europe and joined forces. Well, DakhaBrakha are even better than that.
I think I first heard them years ago on YouTube when I came across a video of them playing at KEXP. The first song caught my attention, then proceeded to mercilessly hold my attention captive until I was completely at their mercy—the way it builds and builds is just astonishing! I’ve been a fan ever since.
The gig was brilliant. I was absolutely blown away. I highly recommend seeing them if you can. Not only will you hear some brilliant music, you’ll be supporting Ukraine.
Слава Україні!
Socialising in England usually follows a set pattern. You work during the week. You go out on the weekend.
This week I’ve been doing the exact opposite. I’ve been out every weeknight and I plan to stay in all weekend.
On Monday Jessica and I took a trip up to London. Dinner in Chinatown followed by a film in the Curzon cinema in Soho.
Usually dinner and a movie would be a fun outing, but this was a more sombre affair. The film we saw was The Zone Of Interest followed by an interview with the director, Jonathan Glazer.
The film is officially released in February. This was an advance screening organised by The Wiener Holocaust Library. Jessica is a member, which is how we got our invitations.
I was unsure whether the framing device of The Zone Of Interest would work. The hidden camera set-up could’ve come across as gimicky. But it worked all too well. The experience was disturbingly immersive, thanks in no small part to the naturalistic performances. Not showing the other side of the wall was the right decision—hearing the other side of the wall was incredibly effective. The depth of research that went into this project was palpable. It not only succeeded in its core task of showing the banality of evil, it also worked on a meta level, displaying the banality of the remembrance of evil.
See this film. And see it projected if you can.
With the heaviness of Monday evening still rightly staying with me, I was glad to have an opportunity to lose myself in music for a while. There was an impromptu Irish music session at the lovely Hand In Hand brewpub in Kemptown. It’s usually more of a jazz venue, but my friend Robb who works there convinced them to try a more folky evening.
The session was nice and intimate—just five of us playing. The pub was busy and everyone seemed to really appreciate the music. Me, I just really got into playing jigs and reels with my talented friends.
Whereas the session in the Hand in Hand was an impromptu affair, the session in the Jolly Brewer is regular as clockwork. Every Wednesday evening at 8 o’clock, rain, hail, or shine.
It was particularly good this week. Sometimes you just lock into a groove and everything clicks.
Enough with the culture—time for some good hard science!
I hadn’t been to a Brighton Astro meetup in ages. Their monthly lectures are usually on the first Thursday of the month, which clashes with the session in the Ancient Mariner in Hove. But this month’s gathering was an exception, which meant I could finally make it.
Professor Malcolm Longair from the University of Cambridge was ostensibly speaking about the James Webb Space Telescope, but the talk ended up being larger in scope. The over-riding message was that we get the full picture of the universe by looking at all the frequencies of the electromagnetic spectrum—not just visible light, but not just infrared either.
It was so great to see how Brighton Astro has grown. It started life years ago as a meetup in the Clearleft building. Now it gets over a hundred people attending every month.
The weekend starts now. Apart from Salter Cane band practice tomorrow morning, I plan to stay in and stay cosy.
This is an interesting little blogging tool: it turns a folder of notes on your Mac into a website.
- Create dedicated folder in the Apple Notes.
- Connect it to Montaigne.
- Add notes with your content.
- Everything will be published to the web automatically.
A very timely post on using If This Then That to automatically post notes from your own site (via RSS) to Twitter and Mastodon.
I’ve set this up for my Mastodon profile.
I love these notes on my recent talk!
I added a “notes” section to this website eight years ago. I set it up so that notes could be syndicated to Twitter. Ever since then, that’s the only way I post to Twitter.
A few months later I added photos to my notes. Again, this would get syndicated to Twitter.
Something’s bothered me for a long time though. I initially thought that if I posted a photo, then the accompanying text would serve as a decription of the image. It could effectively act as the alt text for the image, I thought. But in practice it didn’t work out that way. The text was often a commentary on the image, which isn’t the same as a description of the contents.
I needed a way to store alt text for images. To make it more complicated, it was possible for one note to have multiple images. So even though a note was one line in my database, I somehow needed a separate string of text with the description of each image in a single note.
I eventually settled on using the file system instead of the database. The images themselves are stored in separate folders, so I figured I could have an accompanying alt.txt file in each folder.
Take this note from yesterday as an example. Different sizes of the image are stored in the folder /images/uploaded/19077. Here’s a small version of the image and here’s the original. In that same folder is the alt text.
This means I’m reading a file every time I need the alt text instead of reading from a database, which probably isn’t the most performant way of doing it, but it seems to be working okay.
Here’s another example:
In order to add the alt text to the image, I needed to update my posting interface. By default it’s a little textarea, followed by a file upload input, followed by a toggle (a checkbox under the hood) to choose whether or not to syndicate the note to Twitter.
The interface now updates automatically as soon as I use that input type="file" to choose any images for the note. Using the FileReader API, I show a preview of the selected images right after the file input.
Here’s the code if you ever need to do something similar. I’ve abstracted it somewhat in that gist—you should be able to drop it into any page that includes input type="file" accept="image/*" and it will automatically generate the previews.
I was pleasantly surprised at how easy this was. The FileReader API worked just as expected without any gotchas. I think I always assumed that this would be quite complex to do because once upon a time, it was quite complex (or impossible) to do. But now it’s wonderfully straightforward. Story of the web.
My own version of the script does a little bit more; it also generates another little textarea right after each image preview, which is where I write the accompanying alt text.
I’ve also updated my server-side script that handles the syndication to Twitter. I’m using the /media/metadata/create method to provide the alt text. But for some reason it’s not working. I can’t figure out why. I’ll keep working on it.
In the meantime, if you’re looking at an image I’ve posted on Twitter and you’re judging me for its lack of alt text, my apologies. But each tweet of mine includes a link back to the original note on this site and you will most definitely find the alt text for the image there.
There’s a difference between creativity and production. I knit things but it’s not a creative process for me, it’s a physical one. I’m not interested in doing ‘something new’ with knitting (I don’t even call myself a ‘knitter’ to be honest. I don’t really think I’ve earned it). I haven’t learned the methods of construction. I’ve never tried to make something new out of the stitches I’ve learned. It’s not why I knit. I knit to relax. There’s joy in following a pattern and knowing that a more accomplished, knowledgeable person has done the hard creative work for me, and if I just do what they say, thing’s will probably work out fine. And I love the things I make. I put care into the production process - I take care to get the stitches neat, if I can. But when people look at the things I make and say “you’re so creative” - it’s just not true. In that context I can only ever say “no, I followed a pattern - it’s a good pattern. Do you want the link?”
Writing has been essential for focus, planning, catharsis, anger management, etc. Get it down, get it out. Writing is hard, but it’s also therapy: give order to a pile of thoughts to understand them better and move on.
I concur! Though it’s worth adding that it feels qualitatively different (and better!) to do this on your own site rather than contributing to someone else’s silo, like Twitter or Facebook.
Well, this is just wonderful! Jim has written copious notes after listening to my favourite episode of season three of the Clearleft podcast, measuring design:
I’m going to have to try really, really hard to not just copy/paste the entire transcript of this podcast. It‘s that good. Don’t miss it.
I love reading about how—and why—people tinker with their personal sites. This resonates a lot.
This website is essentially a repository of my memories, lessons I’ve learnt, insights I’ve discovered, a changelog of my previous selves. Most people build a map of things they have learnt, I am building a map of how I have come to be, in case I may get lost again. Maybe someone else interested in a similar lonely path will feel less alone with my documented footprints. Maybe that someone else would be me in the future.
Oh, and Winnie, I can testify that having an “on this day” page is well worth it!
Here’s a great write-up (with sketch notes) of last week’s conference portion of UX Fest:
There was a through-line of ethics through the whole conference that I enjoyed. The “design is the underdog” is tired and no longer true. I think that asking ourselves “now that we are here, how do we avoid causing harm?” is a much more mature conversation.
A very handy collection of organised notes on all things JavaScript.
I think this explains why Kinopio resonates with me.
Matt wrote recently about how different writers keep notes:
I’m also reminded of how writers I love and respect maintain their own reservoirs of knowledge, complete with migratory paths down from the mountains.
I have a section of my site called “notes” but the truth is that every single thing I post on here—whether it’s a link, a blog post, or anything else—is really a “note to self.”
When it comes to retrieving information from this online memex of mine, I use tags. I’ve got search forms on my site, but usually I’ll go to the address bar in my browser instead and think “now, what would past me have tagged that with…” as I type adactio.com/tags/... (or, if I want to be more specific, adactio.com/links/tags/... or adactio.com/journal/tags/...).
It’s very satisfying to use my website as a back-up brain like this. I can get stuff out of my head and squirreled away, but still have it available for quick recall when I want it. It’s especially satisfying when I’m talking to someone else and something they say reminds me of something relevant, and I can go “Oh, let me send you this link…” as I retrieve the tagged item in question.
But I don’t think about other people when I’m adding something to my website. My audience is myself.
I know there’s lots of advice out there about considering your audience when you write, but when it comes to my personal site, I’d find that crippling. It would be one more admonishment from the inner critic whispering “no one’s interested in that”, “you have nothing new to add to this topic”, and “you’re not quailified to write about this.” If I’m writing for myself, then it’s easier to have fewer inhibitions. By treating everything as a scrappy note-to-self, I can avoid agonising about quality control …although I still spend far too long trying to come up with titles for posts.
I’ve noticed—and other bloggers have corroborated this—there’s no correlation whatsover between the amount of time you put into something and how much it’s going to resonate with people. You might spend days putting together a thoroughly-researched article only to have it met with tumbleweeds when you finally publish it. Or you might bash something out late at night after a few beers only to find it on the front page of various aggregators the next morning.
If someone else gets some value from a quick blog post that I dash off here, that’s always a pleasant surprise. It’s a bonus. But it’s not my reason for writing. My website is primarily a tool and a library for myself. It just happens to also be public.
I’m pretty sure that nobody but me uses the tags I add to my links and blog posts, and that’s fine with me. It’s very much a folksonomy.
Likewise, there’s a feature I added to my blog posts recently that is probably only of interest to me. Under each blog post, there’s a heading saying “Previously on this day” followed by links to any blog posts published on the same date in previous years. I find it absolutely fascinating to spelunk down those hyperlink potholes, but I’m sure for anyone else it’s about as interesting as a slideshow of holiday photos.
Matt took this further by adding an “on this day” URL to his site. What a great idea! I’ve now done the same here:
That URL is almost certainly only of interest to me. And that’s fine.
I like this idea for a minimum viable note-taking app:
data:text/html,<body contenteditable style="line-height:1.5;font-size:20px;">I have added this to bookmarks and now my zero-weight text editor is one keypress away from me. You might also use it as a temporary clipboard to paste text or even pictures.
See also: a minimum viable code editor.
This might be the most insightful thing that Dan has written since his seminal 2013 Medium article:
The problem with Scrappy Doo, isn’t that he’s annoying, which he is, but that the ghosts suddenly became real, which is an afront to science.
I know this hot-take is about 40 years old, but I’ve been bottling it up.
